โ† all work
RECBRAND IDENTITYFILM PRODUCTION

BLACKWATER

Pictures

A monochrome identity for the film production company founded by Antoine Dixon-Bellot and Kevin Harvey. One triangle, one body of still water, and a framing system that runs from the opening title all the way to the billboard.

BlackWater Pictures brand identity, triangles framing cinematic black and white portraits
ROLL 00Establishing shot

DIR.

Antoine Dixon-Bellot

DIR.

Kevin Harvey

PROD.

Ikaroa

FORMAT

B / W, 2.39 : 1

The brief

A new studio that needed to look like it meant it

Antoine Dixon-Bellot and Kevin Harvey started BlackWater Pictures to make films with a certain weight to them. They came to us before the first festival run. That is the right moment to settle a brand, early enough that every poster, title card and crew shirt pulls the same direction from day one.

A production company brand has an unusual job. It cannot shout, because the films are the stars. It has to sit on a poster next to wildly different artwork, film after film, and still read as the same studio every single time.

So we built something quiet and structural. A single shape. A strict monochrome palette. A framing system that does the recognising, so the logo never has to.

ROLL 01THE MARK

A triangle, a body of water, a single sail

The logo carries three readings at once. A triangle is the most stable shape there is, and it points up, which is what you want under a studio that means to last. The three sides stand in for past, present and future, the timeline of a film and of the company making it. Inside sits calm water with one reflected sail, the black water of the name made literal.

The BlackWater Pictures logo, an abstract triangle with still water and a small sail
Primary mark / triangle, water, sail
ROLL 02THE FRAME

One shape, used to crop the world

The same triangle becomes a framing device. It cuts photography into sharp, screen-like shapes, so a BlackWater poster reads as BlackWater from across a room, before anyone gets close enough to read the name. The frame does the recognising. That frees the logo to stay small and quiet.

BlackWater Pictures logo placed on coastal and forest photography inside triangular frames
ROLL 02The triangle as a photo crop
ROLL 03THE TYPE

Manrope, set with room to breathe

One family, top to bottom. Bold for the titles, regular for the body, nothing decorative anywhere. Manrope holds the line between a credit roll and a contract, which is exactly the register a working studio lives in.

BlackWater Pictures typography page showing the Manrope family
Manrope / bold for titles, regular for body
FEATURE PRESENTATIONFROM TITLE CARD TO CLAPPERBOARD
BlackWater Pictures movie poster designs using the triangular framing system
ROLL 04Posters / the brand framing the film, not fighting it
A BlackWater Pictures film billboard, the triangular frame holding a single still
ROLL 05Hoarding / one still, read from the road
BlackWater Pictures billboards in a city street at night
ROLL 06Out of home / the mark holds its own in the city
BlackWater Pictures branded clapperboard, megaphone and director chair
On set / clapperboard, megaphone, director chair

The kit a crew actually touches

The brand had to hold up on the things people pick up on a shoot. So the triangle runs onto the clapperboard, the megaphone and the back of the director chair. Same shape, same rules, no compromise once it leaves the screen.

BlackWater Pictures social and promotional templates using the triangular frame
Promo set / meet the director, behind the scenes, all cut to the same triangle

What we shipped

01

Logo and framing system

The triangle mark plus a triangular crop that turns any still into a BlackWater still. The single device that makes a poster recognisable before the name is even read.

02

A monochrome rulebook

Pure black, pure white, the grayscale between. Manrope throughout. Measurement, clear space, minimum sizes, prohibited uses and background rules, all 23 pages of it, built to survive real production deadlines.

03

Production-ready collateral

Letterhead, envelopes, business cards and crew ID, email signatures, shirts and polos, notebooks and pens, plus the on-set pieces a film crew actually touches: clapperboards, megaphones, director chairs.

Rolled out across

/Movie posters/Billboards/Letterhead/Crew ID/Email signatures/Shirts and polos/Notebooks/Clapperboards/Director chairs/Megaphones
THE COLLATERALOFF THE SCREEN, ONTO THE PAPER
The BlackWater Pictures mark reversed across black, white and grey plates
Logo variations / one mark that holds on any ground
BlackWater Pictures letterhead and envelopes with the embossed triangle
Stationery / letterhead and two envelope sizes
BlackWater Pictures business cards and crew ID badges on lanyards
Cards and crew ID / director, costume, every role on a lanyard
BlackWater Pictures polos and t-shirts carrying the triangle mark
Wearables / polos for the team, tees for the crew
BlackWater Pictures branded notebooks and pens
Notebooks and pens / the triangle even on the small stuff

Directorโ€™s notes

Four calls that shaped the whole system

01

The brand serves the film, never the other way round

A production logo that fights the poster is a bad logo. We kept BlackWater restrained on purpose, so the studio mark frames the creative and then steps back.

02

Black and white is a decision, not a limit

Take the colour out and everything else has to work harder: composition, contrast, type, the cut of the triangle. The result reads as film, not corporate, and it never clashes with a frame of cinematography.

03

One shape, used everywhere

The triangle is the logo, the photo crop, the layout grid and the motif on the director chair. Repeating one strong idea across every surface is what turns a mark into a brand.

04

A system two founders can run

Antoine and Kevin needed something they could hand to a printer, a poster designer or a new crew member without the look drifting. The manual is built for exactly that, hard rules and clear examples.

End card

Launching something, and want it to look the part?

We build identities that hold up under real-world use, from the logo down to the smallest piece of kit. If you are starting a company, this is the right moment to talk.

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